-
17:50
-
17:20
-
16:50
-
16:23
-
16:20
-
16:20
-
15:50
-
15:20
-
14:50
-
14:47
-
14:20
-
13:50
-
13:20
-
12:50
-
12:30
-
12:20
-
12:00
-
11:50
-
11:30
-
11:20
-
11:00
-
10:50
-
10:30
-
10:20
-
10:00
-
09:30
-
09:20
-
09:00
-
08:50
-
08:48
-
08:30
-
08:20
-
08:00
-
07:50
-
07:30
-
07:00
Hong Kong director voices solitude amid film censorship
Hong Kong filmmaker Kiwi Chow has expressed feelings of isolation following the official ban of his latest film, Deadline, highlighting the increasing restrictions on the city’s cinema industry. The thriller, shot in Taiwan, was deemed “contrary to the interests of national security” by Hong Kong authorities, reflecting broader tightening of film censorship since the 2019–2020 pro-democracy protests.
Chow, who began his career in 2015, said he had mentally prepared for long periods without the ability to make films, acknowledging the risks involved in tackling politically sensitive subjects. His earlier works, including the dystopian anthology Ten Years and the documentary Revolution of Our Times, explored societal tensions and the public’s response to Beijing’s growing influence.
Between 2021 and mid-2025, Hong Kong authorities censored 13 films and forced modifications to 50 others under the guise of national security, whereas no films had been banned between 2016 and 2020. Many industry professionals have turned to self-censorship, limiting creative expression in the region.
Due to restrictions, Chow was unable to shoot Deadline in Hong Kong and relocated production to Taiwan, where the film was released last month. Supporters from Hong Kong attended screenings abroad, often facing challenges such as inspections upon return. Despite these obstacles, Chow has vowed not to abandon Hong Kong, even as censorship and surveillance increase.
