- 16:33SpaceX leads bid to develop Trump's Golden Dome missile shield
- 16:05Strengthening regional cooperation between Île-de-France and Morocco
- 15:35Escalating tragedy: The Gaza conflict and its devastating toll on Palestinian lives
- 15:04Spain reaffirms support for Morocco’s autonomy initiative on the Sahara
- 14:32Putin thanks Hamas for releasing hostages during Kremlin meeting
- 14:07King Mohammed VI Congratulates Syrian President on Evacuation Day Anniversary
- 13:32Domestic demand boosts economic growth in late 2024
- 11:33Nvidia faces $5.5bn loss due to US AI chip export restrictions to China
- 11:07Facing Cybersecurity Threats Three Questions to an Expert
Follow us on Facebook
Morocco: the "best" gateway to Africa
The Kingdom of Morocco is regarded as the "best" entry point to Africa, as highlighted by the Ambassador of El Salvador to Rabat, Ignacio de Cossío, during a ceremony in Tangier on Friday evening.
Speaking at the opening of the "El Salvador: Beauty in Colors" exhibition, de Cossío emphasized that choosing Morocco as the location for the only El Salvadorian diplomatic representation in Africa was a "strategic and fully justified" decision aligned with President Nayib Bukele's vision.
"We made no mistake in connecting with Africa through Morocco. There is no better country and no better entry point to the African continent than Morocco, and for that, I express my gratitude to His Majesty King Mohammed VI," said the Ambassador.
Highlighting the historical and cultural significance of the city of Tangier, de Cossío described it as a "radiant international city," one that has witnessed the passage of "Greek sailors, Romans, Byzantine warriors, Visigoths, Vandals, and Phoenicians."
The exhibition, organized by the Embassy of El Salvador in collaboration with the Cervantes Institute in Tangier, showcases about twenty works by renowned Salvadoran artists, including Madger Linares, Renacho Melgar, and Carlos Ovidio Rosales. It runs until April 19, offering the public a chance to explore creations blending urban graffiti, traditional portraits, and vibrant landscapes, providing a poetic and powerful glimpse into Salvadoran identity and memory.
Comments (0)